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Shout it out trombone
Shout it out trombone









The most important thing about alternate positions is to use them. Here are five quick fixes you can make to improve the trombone section in your jazz band. It’s tempting to focus on the shout chorus and the sax soli and leave the trombones to their own devices, but a few simple adjustments can bring your young jazz trombonists up a notch, and add power, balance, and consistency to your horn section.

  • Trombone has stated on multiple occasions that - despite everything - they are quite content and comfortable in the Hall, and consider it their home.Having a strong trombone section can take your big band to the next level.
  • In spite of major changes to their jaws, teeth, and general facial structure, Trombone's voice retains exactly the same presenterly tone they sported in life.
  • Trombone has claimed they're "not too fussed" by their transformation into an abyssal being, and has joked on at least one occasion that "that Hellmouth gave me an IOU for my Adaptation.".
  • Trombone has undergone radical physical adaptation in the extreme conditions of the Hall, with their form now well-suited to the dark, cold and intense pressure of the Trench.
  • shout it out trombone

    Thanks to dedicated curation efforts led by Dirk Framfelter of Sols Melodious, a few facts about Trombone in the Hall have been noted: Trombone rarely talks about themselves on segments between song requests, preferring to send out well-wishes, affirmations and encouragement to whoever might be listening. Signal quality is usually poor, though Trombone has a "fabulous" radio voice which always carries clearly regardless of static. It is most commonly found when one is scanning between established frequencies, in the static between. The broadcast operates on extremely narrow, seemingly-random frequencies, and generally fades out on Planeside receiving devices after an average duration of twenty minutes. Shout-outs to friends and family are also happily made if asked for, though there is little to no guarantee the recipient of the shout-out is listening to the radio at the time. They welcome co-hosts and guests (by and large, other incinerated players in the Hall) when their paths cross with Trombone. Trombone mostly uses this to play music and take song requests, though their selection is supposedly limited to whatever the Monitor dredges up and remembers to bring to them. With the Monitor's arrival from the Trench, revealing the Hall of Flame, Trombone was at last able to make some manner of contact with the Immaterial Plane via the radio station they run from deep within the Trench. Trombone's whereabouts following their incineration in Season 3 were unknown for some time - however, their fellow incinerated teammate Meadows, still occasionally manifesting on the Immaterial Plane as a ghost and coach, hinted at continued contact with Trombone. IN THE TIME OF HELLMOUTH AND OTHER DISASTROUS EVENTS: PARTICULARLY THE TIME I SPILLED MY ICED COFFEE EVERYWHERE AND IT EVAPORATED DUE TO THE HEAT WHERE I AM, WHICH IS IN HELL (20XX).It should be noted that Rhys Trombone absolutely does not, and never, ever has, played the trombone.

    shout it out trombone

    In their Season 3 post-season memorial service, Trombone was remembered by their teammates as "a cool uncle", a "jokester", and "full of love for the world, and everyone in it." This often led to them being jokingly called "the down-to-earth guy" of the trio. Unlike their lifelong compatriots, Trombone did not ally themselves with any manner of celestial body, nor did they acquire any notable Adaptation when the Hellmouth opened. Trombone was closest to their teammates Velasquez Meadows and Sandoval Crossing, having known them for some decades prior to the return of Blaseball. Their skill with their brass-instrument-turned-Blaseball-rod BRASS INVICTUS, SOUL OF FUNK, made Trombone a popular member of the Sunbeams lineup. While unsuccessful in their former career, they were the highest-rated player on the team until their incineration, an achievement often attributed to their funky fresh hits and bunts. Despite their skill with both a range of instruments and considerable vocal talent, Trombone failed to achieve major fame outside their home of Moab, Utah, where they had settled down after a decade of work as a travelling musician. Personal Lifeįormerly an obscure jazz musician, Trombone was the sibling of Betsy Trombone. The remainder of this article contains lore created collaboratively by the Blaseball community.











    Shout it out trombone